Upcoming Events

Thursday 24 July
Rudyard's 09:00 PM 21 & Over $8.00 ADV
$10.00 DAY OF

Black Pussy
*NOTE*
Black Pussy does not condone or endorse any sexism, racism, ageism, violence, or any other douchebaggery that has been spoiling the party since the party started. If you are offended by the band's name please refer to the following quote...

"Few people can see genius in someone who has offended them."
-Robertson Davies


When The Rolling Stones wrote their classic track "Brown Sugar" it was originally titled "Black Pussy," but record-label politics got in the way: It was deemed too offensive and the powers at work refused to put it out. So the band had to change the name to something that was easier for the general public to swallow.

At least that's how the legend goes.

For Dustin Hill, the creative mastermind and songwriter behind Black Pussy, it sounded like a fantastic band name. It encapsulates exactly what the band is: a sex-charged, '70s-influenced, hide-your-daughters-because-they're-coming-to-town rock 'n' roll band that sounds like Tarantino directing a Thin Lizzy video in the low desert. Considering the name comes from a song that directly speaks out against racism, Hill isn't willing to entertain the notion that the band intends to offend anyone.

Black Pussy's heavy, bluesy sound and clear influences of Kyuss, Hendrix and The Who have found a niche in the ever-growing, global stoner-rock movement. The band exclusively uses vintage Sunn gear, pushing a massive 44 speakers when playing live and tends to land shows with the heaviest, sludgiest bands in the Portland, Oregon scene. However, their classic, upbeat, relentlessly hooky tracks
have led to Hill coining the phrase "stoner pop," like The Cars meets Black Sabbath. The band's catchy music tends to seduce anyone, even those who walk in off the street after seeing the intriguing band name on the marquis of the venue.

Black Pussy's 2012 debut album On Blonde is Hill's baby: It was written and mostly recorded by him alone, though guitarist Ryan McIntire, drummer Dean Carroll, bassist Aaron Poplin and keyboardist Keith O'Dell were later added to the band. The record, which kicks off with the rip of a bong and sounds like a drug-riddled midnight misadventure in a '70s muscle car, has carried them through successful
and nearly endless touring of the U.S for the past year and a half, and even found its way across the ocean as well: The track "Blow Some Steam Off" ended up on the February 2013 Metal Hammer compilation.

This year will see two new releases from Black Pussy: Their contact high-inducing, 22-minute psychedelic opus "Galaxies" will appear on a split release with the band biblical proof of UFOs, and their much-lusted-for sophomore album, Less Info More Mojo, which was recorded and produced in the California desert by stoner-rock legend Brant Bjork, will be out in the fall. White Orange, Hill's heavier project, will also be releasing an EP entitled Onawa on August 6.

Additionally, Black Pussy will be touring extensively with ex-Kyuss legends Vista Chino this fall.

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Friday 25 July
Fitzgerald's 08:00 PM All Ages $10.00 ADV
$13.00 DAY OF
$15.00 DAY OF BOX OFFICE
Alpha Rev, The Rocketboys, Stukenberg, Levi Weaver
Formed in 2005 in Austin, TX, Alpha Rev came together as the brainchild of singer/songwriter Casey McPherson after the breakup of his previous band, Endochine. Looking for a positive release from his own family tragedies, McPherson uses the band as an outlet for his inspiring and uplifting alternative rock. In 2006 Alpha Rev released a self-titled EP, and quickly followed up the next year with their full-length debut, The Greatest Thing I Ever Learned (originally released independently and then reissued in 2008 with a different track listing by Sea Change Records). After signing with Hollywood Records in 2008, McPherson and Alpha Rev entered the studio to work on their second full-length album, produced by the Grammy-winning David Kahne and released the album in 2010. ~ Gregory Heaney

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Friday 25 July
Fitzgerald's 08:00 PM All Ages $10.00 ADV
$12.00 DAY OF

The Coathangers, White Fang
An all-female garage-punk band with an irreverent, fun-loving attitude, the Coathangers play purposefully simple, hooky tunes that borrow from vintage girl group sounds and contemporary teen pop acts as much as the old-school punk and new wave outfits that inform their sound. Hailing from Atlanta, Georgia, the Coathangers were formed by guitarist and singer Julia Kugel (aka Crook Kid Coathanger), bassist and singer Meredith Franco (aka Minnie Coathanger), keyboardist and singer Candice Jones (aka Bebe Coathanger), and drummer and singer Stephanie Luke (aka Rusty Coathanger). The Coathangers were formed in 2006 when Kugel and Franco were working together in a dress shop that specialized in wedding gowns and prom dresses; Jones and Luke, meanwhile, were earning their living as bartenders. While they could barely play their instruments, they were eager to take the stage, and after playing their first show at a house party, the Coathangers soon made their proper stage debut opening for the Hiss, and their sense of fun soon won over hometown audiences. They also became friends with fellow Atlanta band the Black Lips, who gave the band opening slots that helped them gain an even larger audience. In 2007, infamous Atlanta punk label Die Slaughterhaus Records teamed up with New York's Rob's House Records to issue the Coathangers' self-titled debut album, and the group was playing out as often as their schedules would permit, frequently gigging throughout Georgia and venturing out on short tours. The Coathangers' second album, 2009's Scramble, was released by Suicide Squeeze Records, and by the time they put out 2011's Larceny & Old Lace, the group was playing throughout the country and even toured Europe opening for the Thermals. In 2013, the Coathangers hit Europe again opening for ...And You Will Know Us by the Trail of Dead, but by the end of the year, they were reduced to a trio when Candice Jones left the group. Undaunted, the Coathangers pressed on as a three-piece as they recorded album number four, Suck My Shirt, which was released in the spring of 2014. ~ Mark Deming

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Saturday 26 July
Fitzgerald's 08:00 PM All Ages $10.00 ADV
$12.00 DAY OF
$14.00 DAY OF BOX OFFICE
Wild Cub, Grizfolk
American indie group Wild Cub came together in early 2012 when songwriter/composer Keegan DeWitt joined forces with multi-instrumentalist Jeremy Bullock and began creating their infectious brand of electro-pop. DeWitt had become disillusioned with life in New York, and after being offered a promotion at his day job, he chose to quit. He moved to Nashville and focused his energy on forming Wild Cub alongside writing film and documentary scores. Once he met Bullock, the wheels were set in motion and the arrivals of drummer Dabney Morris, bassist Harry West, and synth/keys player Eric Wilson cemented the lineup. From there they wrote and recorded their debut album, Youth, which was recorded in Bullock's house after they'd taken it over to complete the songs. The record arrived in 2012 and was well-received on both sides of the Atlantic. Alongside a number of high-profile tour dates and festivals in America, they won favorable reviews for their jubilant, '80s-inspired synth pop and infectious guitar hooks. In the summer of 2013, their single "Thunder Clatter" was used in a worldwide advertisement for Bose, and it subsequently reached the U.K. chart. In early 2014, the self-released album was reissued to greater distribution and with bonus tracks on the Mom & Pop Music label. ~ Scott Kerr

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Sunday 27 July
Fitzgerald's 07:00 PM All Ages $12.00 ADV
$14.00 DAY OF
$15.00 DAY OF BOX OFFICE
Ceremony, Nothing, Back To Back, Culpa Vitae
Dealing in hardcore punk that's punctuated with explosive fits of sonic violence, Ceremony formed in the California Bay area in 2005. With a sound that fused the no-nonsense hardcore of bands like Black Flag and Suicidal Tendencies with the unpredictable outbursts of Dillinger Escape Plan, the band cultivated a brutal sound that owed just as much to power violence as it did to old-school punk. In 2006, the band made their full-length debut with Violence, Violence, a 13-song, 13-minute long album that found the band exploding onto the scene in a burst of unfiltered aggression. The quintet followed up with a pair of releases, 2008's Still, Nothing Moves You and 2010's Rohnert Park, released on Bridge 9 Records. The band eventually began to tinker with their sound, tempering their raw, aggressive approach with post-punk influences like Wire and the Fall. After a surprising move to indie giant Matador, the band debuted their new sound in 2012 with the release of their fourth album, Zoo. ~ Gregory Heaney

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Wednesday 30 July
Fitzgerald's 07:00 PM All Ages $15.00 ADV $17.00 DAY OF BOX OFFICE
Us The Duo, Caroline Glaser
3 years ago, two emerging solo artists from opposite sides of the country randomly collided, fell in love, and combined their talents to form Us The Duo. A few successful YouTube videos (23+ million views) encouraged these songwriters to write their own music together, leading them to produce their first self-titled album, Us. After its release, Michael & Carissa got married and have been traveling and playing music together ever since. These two have gained quick exposure in the last five months. They released their 2nd album, No Matter Where You Are, which peaked at #22 on the iTunes Pop Charts, and #19 on Billboard's Heatseekers Chart. Us The Duo has made a name for themselves on Vine, with their 6-second musical covers and arrangements - amassing over 3 million followers. Their successes have led to press and media attention from Billboard, The Hollywood Reporter, Business Insider, Buzzfeed, and iHeartRadio. Us The Duo recently performed on Good Morning America and signed to Republic Records. They will rerelease their album, No Matter Where You Are, later this Spring.

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Thursday 31 July
Fitzgerald's 08:00 PM All Ages $8.00 ADV $9.00 DAY OF BOX OFFICE
B L A C K I E, Indian Jewelry, Jana Hunter, Wicked Poseur
Indian Jewelry's sixth and most adventurous work to date, PEEL IT sees the uncompromising Houston band venturing further into the darklands of noise, psych, dub, and experimental rock. The band remain flagbearers for the long Texas tradition of outsider rock ‘n' roll, a grand, precarious history spanning the 13th Floor Elevators and Red Krayola, Jandek and Butthole Surfers. Tracks like "Eva Cherie"– streaming now on SoundCloud link below– see Indian Jewelry tapping into the primordial consciousness through dissonance and drone, defying easy categorization with fractured melodies, whitenoise, and heavy rhythmic energy.

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Saturday 2 August
Fitzgerald's 06:00 PM All Ages FREE
White Linen At Fitz W/ Grand Old Grizzly
Will Thomas was the rhythm guitarist for an acclaimed singer-songwriter when he discovered his innate songwriting talents. As the principal singer and songwriter for Grand Old Grizzly he steps out front with an album of transcendent Americana. The band's self-titled debut is a top down ride through a cool desert with a stiff drink in hand.
The Houston-based quartet melds folk, country, indie, and rock, garnering favorable comparisons to Old 97s, Tom Petty, Uncle Tupelo, Neil Young, and Robert Earl Keen. In its brief time together, the group has generated an impressive local buzz. Grand Old Grizzly has been embraced by respected radio station 90.1 KPFT. Houston Press says "GOG might become your favorite new local band if you have a hankerin' for Tom Petty and the Old 97′s." The highly regarded paper recently nominated GOG for "Best New Act" and "Best Folk/Americana" awards.

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Saturday 2 August
Fitzgerald's 08:00 PM All Ages $13.00 ADV
$15.00 DAY OF
$17.00 DAY OF BOX OFFICE
Grieves, SonReal, Fearce Vill
A Seattle-based rapper who is heavily influenced by the indie hip-hop duo Atmosphere, Grieves was born in Chicago. Thanks to his arts-loving father, he was introduced to the city's jazz clubs at a young age, but after moving to Fort Collins, Colorado, he had to wait until he turned 19 to land in a city with a more suitable musical climate, Seattle. It was there that his love of punk and hip-hop flourished, especially the latter, thanks to a fertile local community and a home studio. His debut effort, Irreversible, appeared in 2007 with a special guest appearance from underground favorite Mr. Lif. A year later, his album 88 Keys and Counting arrived, featuring backing tracks from producer Budo. Budo was back for 2011's Together/Apart, Grieves' first effort for Atmosphere's label Rhymesayers. His 2014 release, Winters & the Wolves, was a conceptual coming-of-age album and was co-produced by Grieves and B. Lewis. ~ David Jeffries

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Saturday 2 August
Fitzgerald's 08:00 PM All Ages $20.00 ADV
$22.00 DAY OF
$24.00 DAY OF BOX OFFICE
Ben Kweller, Amy Cook
Children are often raised in musical families, but few receive the same introduction to music as singer/songwriter Ben Kweller. Before he was old enough to enter kindergarten, a young Kweller emulated Nils Lofgren (who, during his time with Bruce Springsteen's E Street Band, would hang out with Kweller's father) by playing his toy version of the guitar. He also played piano, and by the age of eight, Kweller had begun penning his own songs. The following year, he received a nod of encouragement from Billboard magazine when it conferred an honorable mention on the youth for his entry into Billboard's yearly songwriting competition. By the time he hit his teenage years, Kweller was an accomplished guitarist and had begun playing drums as well. He pulled together his first band, Mirage, and followed up with groups like Green Eggs & Ham and Foxglove. All the while, he honed the skills that would later launch his respected solo career.

With help from bassist Bryan Blur and drummer John Kent, Kweller established Radish in 1993. The group made its mark on the local Dallas scene, not far from Kweller's hometown of Greenville, TX. In 1994, the musical wunderkind and his teenaged outfit released the Hello EP through Practice Amp Records. That same year, the label released the full-length album Dizzy, which convinced producer Roger Greenawalt to partner with the group. Under his wing, Radish produced another demo and inked a contract with Mercury Records during the summer of 1996. Ben Kweller was still a teenager at the time, having turned 15 years old that June.

Mercury Records released Restraining Bolt the following spring, and Kweller led Radish through European and American tours (as well as several late-night TV appearances, including The Conan O'Brian Show and Late Night with David Letterman). Despite scoring a Top 40 hit in the U.K. with "Little Pink Stars," Radish failed to enjoy significant success at home, and changing tides at their label (Polygram, Mercury's parent company, was absorbed into Universal Music Group in 1998) prevented them from releasing another album. When the group disbanded in 1999, Kweller headed east to Guilford, CT, where he stayed only a short time before relocating to Brooklyn, NY. Not yet 20 years old, he signed with Island Records as a solo artist.

Ben Kweller launched his solo career with a series of EPs, some of which reprised the material that Radish had written but not released. His heartland hooks and folksy flourishes made fans out of several artists, and Kweller soon found himself touring with the likes of Juliana Hatfield, Guster, Kristin Hersh, and Evan Dando. He inked a deal with ATO Records in 2001 and released one final EP before issuing Sha Sha, his solo full-length debut, in 2002. More touring followed, as did a collaboration with Ben Folds and Ben Lee known as the Bens. Kweller's sophomore effort, the subdued On My Way, followed in spring 2004 and was supported by a co-headlining tour with Death Cab for Cutie. Two years later, he returned with his self-titled third album, on which he played all the instruments. Kweller furthered his experimentation with 2009's Changing Horses, which saw the songwriter embracing country music and employing a pedal steel guitarist. The singer continued to explore pop music on 2012's Go Fly a Kite, which found Kweller dabbling in everything from power pop to alt-country. ~ Linda Seida & Andrew Leahey
Sunday 3 August
Fitzgerald's 06:00 PM All Ages $10.00 ADV
$12.00 DAY OF
$14.00 DAY OF BOX OFFICE
In Memory Of W/ Forever The Fierce And More!
Clean/Unclean Vocals- Chris Johnston
Lead Guitarist- Donnie Kelly
Rhythm Guitarist/Backup Vox-Mauricio Tavira
Bassist/Backup Vox- Tanner Phillips
Drummer/Manager- Joseph Pinel
Merch/Design Personnel- Marley Morrell

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Monday 4 August
Fitzgerald's 07:00 PM All Ages $17.00 ADV
$20.00 DAY OF
$22.00 DAY OF BOX OFFICE
Antemasque, Le Butcherettes
Antemasque is an American rock band formed in 2014 by former members of At The Drive-In and The Mars Volta, Omar Rodríguez-López and Cedric Bixler-Zavala. Some of their first tracks featured Red Hot Chili Peppers's Flea on bass and Dave Elitch on drums. Both Flea and Elitch had previously played with The Mars Volta. Despite initial reports to the contrary, Flea is not a member of the group but only played on a few tracks and let the band use his recording studio.

On April 9, 2014 the project was announced, and they released their first single "4AM" on the same day. Rolling Stone described the song as "a charging, punkish rocker with the sorts of squiggly noodling that both the Mars Volta guys and Flea have used as calling cards in their respective groups." The next day, the band released a second song, "Hangin in the Lurch", on their bandcamp page which is described as a mix of progressive rock and punk rock. The song's description mentions that it will be released on an upcoming self-titled album. Their third single "People Forget" was released on April 11, 2014. On April 15, the band released their fourth single, "Drown All Your Witches". The group's self-titled debut album is scheduled to be released on July 15 on their own Nadie Sound label. -Wikipedia

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Thursday 7 August
Fitzgerald's 08:00 PM All Ages $12.00 ADV
$14.00 DAY OF
$16.00 DAY OF BOX OFFICE
Miniature Tigers, The Griswolds, Finish Ticket
Although declared "one of the 25 best bands on MySpace" by Rolling Stone in late 2006, Miniature Tigers rose to wider attention with the release of their 2008 debut, Tell It to the Volcano. The band was founded by songwriter Charlie Brand, an Arizona native who avoided his state's sky-high temperatures by writing songs in his bedroom. The resulting material paired Brand's acoustic guitar with a wide range of pop influences -- the Cars' strut, Weezer's snark, Phil Spector's polish -- and Miniature Tigers soon inked a deal with Modern Art Records, a label co-founded by fellow Phoenix-based group Chronic Future. With drummer Rick Schaier, guitarist Algernon Quashie, and bassist Alex Gerber also on board, Miniature Tigers released the breezy Tell It to the Volcano in September 2008.

Between the cross-country tours that followed, Miniature Tigers found enough downtime to pull up stakes and move to Brooklyn, where Charlie Brand began writing songs that were more experimental than Tell It to the Volcano's acoustic-based pop. Members of Neon Indian and the Morning Benders were enlisted to produce the material, which was recorded in upstate New York and released in summer 2010 as Fortress. Miniature Tigers returned in 2012 with the more '80s synth- and dance-oriented Mia Pharaoh. ~ Andrew Leahey

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Friday 8 August
Fitzgerald's 08:00 PM All Ages $10.00 ADV
$12.00 DAY OF
$13.00 DAY OF BOX OFFICE
What Made Milwaukee Famous, A. Sinclair, Young Girls
Hailing from Austin, TX, What Made Milwaukee Famous features Jeremy Bruch (drums), John Farmer (bass), Michael Kingcaid (vocals/guitar), and Drew Patrizi (keyboards). The indie rock quartet came together in 2003 to create a playful indie rock sound that's well suited for fans of Brendan Benson, Spoon, and the Wrens. In 2005, What Made Milwaukee Famous performed alongside Franz Ferdinand on Austin City Limits, becoming one of the few unsigned acts to play the celebrated PBS show. With additional showings at South by Southwest and a feature on DJ Steve Lamacq's BBC digital station 6 Music, What Made Milwaukee Famous signed to Barsuk in June 2006. A remastered, and slightly edited, version of their 2004 debut, Trying to Never Catch Up, arrived with four new tracks in August. For their next album, the band added guitarist Jason Davis (whom Kincaid had known since high school, when they were in a band together) and got production help from Chris Michaels, who'd toured with Sparklehorse. The finished product, What Doesn't Kill Us, then came out in early 2008. ~ MacKenzie Wilson

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Sunday 10 August
Fitzgerald's 07:00 PM All Ages $10.00 ADV
$12.00 DAY OF
$14.00 DAY OF BOX OFFICE
Old Gray, Scrowler
Four dudes from Hooksett, Manchester, and Auburn, NH, sometimes more, playing folk viking industrial shoegaze metal.
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