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Wednesday 2 September
Rudyard's 08:00 PM 21 & Over $10.00 ADV
$12.00 DAY OF
$13.00 DAY OF BOX OFFICE
Mutoid Man, Indian Handcrafts
There was a buzz about Mutoid Man before they ever even took the stage. Like many ‘members-of' projects, there was an automatic interest in what heady metal luminaries Steve Brodsky (Cave In) and Ben Koller (Converge, All Pigs Must Die) were working on in their tiny Brooklyn practice space. By the time they played their first show in the fall of 2013, their debut EP was already recorded and off at the vinyl pressing plant. And while many side projects maintain a brief lifespan by piquing the interest of their primary bands' fans, Mutoid Man achieved the rare feat of not only holding that interest, but also drawing in a new audience from outside their established circles. Given a spin of their Helium Head 12" or a glimpse of their rare live performance, it's no wonder that Brodsky and Koller were able to ascend beyond their side-project novelty status. This is no self-indulgent sonic experiment, no tepid throwaway-track recycling project, no musical 180° into cringe-worthy territory. Instead, Mutoid Man offers up the best of Brodsky and Koller's respective worlds. Brodsky distills the melodicism and metallurgy of Cave In into a concentrated elixir of frantic fretboard work, big riffs, and undeniable vocal hooks. Koller continues to batter his drums with unmatched force and dexterity. With the recruitment of bassist Nick Cageao and his driving low-end growl, Mutoid Man quickly established themselves as one of the dominant new power trios in the world of heavy music.

Mutoid Man was initially meant to be an exercise in flexing the creative chops outside of the members' other projects. But if Helium Head proved that this musical diversion was serious business, Bleeder confirms that Mutoid Man are an imposing force regardless of their pedigree. Written in concentrated flurries between their other musical duties, Bleeder exudes the short bursts of manic energy that typified their creative process. There is no time to sit and ponder the bigger picture, no reason to search for subtlety—once the album launches into the first riff of "Bridgeburner", there is no surrender, no apologies, and no relenting until the final crash and chug of the closing title track. Clocking in at just under half-an-hour, Bleeder seizes upon the same concentrated ferocity of classics like Reign In Blood. And with songs as good as these, Bleeder is sure to become a classic in its own right.

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Saturday 5 September
Warehouse Live The Studio 08:00 PM All Ages $14.00 ADV
$16.00 DAY OF

Man Man, Shilpa Ray
Man Man is a fearlessly unique band from Philadelphia. The group's fifth full length album On Oni Pond features an arresting reconstruction of the group's visionary sound – stripped to its core and rebuilt as something new and compelling yet still very much Man Man. This marked shift is a direct result of an intensive collaboration between the band's frontman, Honus Honus, and drummer Pow Pow, who has assumed a new-found prominence in the songwriting process, bringing an exhilarating array of new rhythmic ideas to the mix. "With this album we got to do something that very few bands or creative people get to do which is a reboot, and one that feels natural," comments Honus Honus.

"This is a strange and beautiful record but it's also head on and fearless," says Honus Honus. "It's not a record that's going to flirt with you, this is a record that's asking you out. If you get into bed with us there's going to be a relationship."

Man Man's latest also expresses Honus Honus' evolution as a lyricist. Consistently inventive, the lyrics now have a new poignancy and insight that makes this album as personal and reflective as it is joyous. The thematic centerpiece of the record is the bittersweet, deconstructed soul anthem "Head On." Simultaneously melancholy and inspiring, the track features a unique take on personal resilience exemplified by the lines, "Are you dreaming of death? Are there ghosts in your chest?" and "I need new skin for this old skeleton of mine ‘cause this one that I'm in has let me down once again over time," which build into the refrain "Hold onto your heart, hold it high above flood waters, hold onto your heart, never let nobody drag it under."

With On Oni Pond, Man Man has delivered a beautifully weird and unforgettable collection of songs. From the pounding syncopated drumming, psychedelic organ and impassioned crooning of "Pink Wonton" to the sneering new wave dub of "King Shiv" and the big beat bratty swagger of "Loot My Body," this is an undeniably ambitious band reborn to new, focused greatness.

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Tuesday 8 September
House Of Blues - HOUSTON 07:00 PM All Ages $35.00
Passion Pit
Boston, Massachusetts-based Passion Pit began as a one-man project of singer and songwriter Michael Angelakos to produce a Valentine's Day gift for his girlfriend. The gift, an EP entitled Chunk of Change, soon wound up in the hands of friends and acquaintances, who were enthralled with the work. Eventually, Passion Pit became not only a vehicle for the romantic expressions of Angelakos' heart but a full-fledged band -- at least for live gigs -- and opened for a number of well-known artists, including Death Cab for Cutie. This momentum led to label interest, and in 2008 the Frenchkiss label picked up Chunk of Change for re-release with the addition of two bonus tracks. The EP, and especially the track "Sleepyhead," garnered a lot of attention from bloggers and fans of giddy electronic indie pop.

Columbia Records also liked what they heard and paired with Frenchkiss to release Manners, the first album by the group (which now consisted of Angelakos, Nathan Donmoyer, Ian Hultquist, Ayad Al Adhamy, and Jeff Apruzzese), in spring of 2009. The band's long-awaited 2012 follow-up, Gossamer, was preceded by the singles "Take a Walk," "I'll Be Alright," and "Constant Conversation," and featured new member Xander Singh, who replaced Adhamy. While touring shortly after the album's release, Angelakos canceled the remaining dates to enter a facility to seek help for his bipolar disorder. Passion Pit resumed activities a few months later with an appearance on Saturday Night Live in October, then were quiet until the next year when they headlined the Coastline Festival in Florida and released the Constant Conversations EP. Nothing more was heard until Xander Singh and Ian Hultquist quit the band in late 2014. Better news came in 2015 with the announcement of a new album and the release of a single, "Lifted Up (1985)," in February. With liner notes crediting solely Angelakos as a member, Passion Pit's bubbly third album, Kindred, was released soon after. ~ Chris True & Tim Sendra

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Friday 11 September
Walter's Downtown 08:00 PM All Ages $14.00 ADV
$16.00 DAY OF

David Ramirez, Carson McHone
The life of the traveling songwriter certainly seems romantic. But as David Ramirez notched mile number 260,000 traveled in his 2006 Kia Rio, the novelty began to wear off.

"I've learned a lot from being alone and isolated," says Ramirez, who until recently toured completely by himself, without a band, manager or anyone else for company. "Yes, it's romantic in a way. But it has also been kind of rough on my head and my heart. After a while it made it difficult to connect with people on a personal level when I got home. In hindsight, I can see that it's been kind of detrimental. You know, when you travel around alone for months at a time, the world revolves around you. There's no one else in the equation. Everything was just about me. It's a selfish way of living. And I'm ready to move on from that."

It's taken three years since that realization, but with his new album 'FABLES,' out August 28 via Thirty Tigers, Ramirez takes strides towards that personal growth both as a musician and as a man.

The album's title, 'FABLES,' was inspired by the first single, "Harder to Lie," which captures the moment Ramirez realized, as he puts it, "I couldn't bullsh*t with her anymore. She knew me completely. It got me thinking about how much I bullsh*t in my life - exaggerating stories, faking a smile, or whatever. Just telling fables. When you don't know who you really are you can end up hurting people."

After years on the road touring as an opening act for artists like Noah Gundersen, Gregory Alan Isakov, Shakey Graves and Joe Pug, Ramirez is excited to finally embark on his own tour. "Fans have been paying high-dollar tickets to watch me open for other bands, and I'm very thankful for it. I've also had the chance to see how other songwriters I respect work on a professional level. I've learned a lot and been challenged a lot. It's like I've been going to school. I've been taking notes. And now I think I'm ready for the job. I'm really excited to finally go out with a band and do my own full set. It will be more fun and energetic."

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Friday 11 September
Rudyard's 08:00 PM 21 & Over $15.00
The Atomic Bitchwax, Mos Generator, Against The Grain
New Jersey's legendary, riff-centric power trio THE ATOMIC BITCHWAX (aka TAB) returns with gargantuan riffs and jaw-dropping psych sonics on its sixth full length LP,Gravitron. Now featuring TWO members of MONSTER MAGNET – bassist/vocalist Chris Kosnik and drummer Bob Pantella – alongside shred-tastic gunslinger Finn Ryan, the band has perfected its unique style of NYC hard rock that High Times appropriately tabbed, "thunder-boogie." On Gravitron, THE ATOMIC BITCHWAX's Rush-like riff mazes and carpal-tunnel-inducing riffs are on full display; every note bleeds with urgency. There's far too much exuberant energy on the record to lazily tag this as "Stoner Rock"; this is high-octane, '70sbased hard rock infused with stabs of psychedelia and landslides of Tommy Bolin-inspired guitar heroics! Gravitron is an A-level masterclass in bad ass Rock'N' Roll and cements the THE ATOMIC BITCHWAX as an undeniable force in today's heavy music landscape.

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Sunday 13 September
Warehouse Live The Studio 07:00 PM All Ages $15.00 ADV
$18.00 DAY OF

El Ten Eleven, Sego
- El Ten Eleven gained notoriety through film & TV, featuring their music in various commercials from the likes of Lexus, to the MTV awards

- Licensing partnerships with Gary Hustwit's award-winning design documentary trilogy, Helvetica, Objectified and Urbanized

- Toured with artists such as Bonobo, with touring support coming from Baths, Peter Hook & The Light, Globes, and Races. They have performed at festivals such as Fun Fun Fun Fest, North Coast Music Festival and more.

"tightly wound tunes with plenty of punch." – SPIN

"The impression they're capable of leaving on listeners is akin to that of watching two guys stuff themselves into a tiny box, and then forcibly push the walls outward until it's a large box" – Consequence of Sound

"They drive somewhere between a roughed-up version of Sigur Rós and Ratatat you wouldn't dare bring home to your parents" – FILTER

"the duo incorporates a thematic quality of transitioning through enough styles and sounds to make the listener feel more than satisfied with the material heard" – CMJ

Dallas Observer has called El Ten Eleven the 4th best instrumental band of the past 20 years.

"Watching El Ten Eleven play is something like watching two superheroes do their thing." – SF Weekly

"On For emily, band members Kristian Dunn and Tim Fogarty prove that there is better living through musical experimentation." – MXDWN

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Tuesday 15 September
Walter's Downtown 07:00 PM All Ages $19.00 ADV
$22.00 DAY OF

The Get Up Kids 20th Anniversary Tour, The Hotelier, Josh Berwanger Band
Kansas City's Get Up Kids play melodic, pop-inflected emo similar to the Promise Ring and Braid, with whom the band released a split single in 1998. The influential group -- vocalist/guitarist Matthew Pryor, guitarist/vocalist Jim Suptic, bassist Robert Pope, and drummer Ryan Pope (Robert's younger brother, who replaced Nathan Shay early on) -- debuted in 1996 with a slew of 7"s, including Shorty on the Huey Proudhon label and All Stars on Doghouse Records. Both the Woodson EP and their debut full-length, Four Minute Mile, the latter recorded with Shellac's Bob Weston, were released in 1997. The well-received albums started a growing buzz around the indie rock scene, even causing the bandmembers to field offers from major labels, which they ultimately turned down. In 1998, the Get Up Kids toured extensively with bands like the Promise Ring and Jimmy Eat World and released more singles, including "I'm a Loner, Dottie, a Rebel," which also appeared on their classic 1999 album, Something to Write Home About. Released through their own label Heroes & Villains and their patrons Vagrant, Something to Write Home About featured newly added keyboardist James Dewees and focused the scrappy energy of their promising debut into a visceral and intelligent collection of highly introspective and melodic songs that would go on to influence countless bands; the album garnered high critical and fan praise and made the Get Up Kids heroes of the emocore scene.

The band resurfaced two years later, re-releasing some of its early works as the album Eudora and hitting the road with Green Day, Hot Rod Circuit, and Weezer along the way. It wasn't until 2002 that a new album, On a Wire, surfaced, featuring more sparsely arranged and somber songs different than the stirring emo-pop of before. The relatively more upbeat Guilt Show, the band's fifth album and third effort with producer Ed Rose, appeared in spring 2004. The concert album Live @ the Granada Theater surfaced a year later, marking the band's tenth anniversary. But 2005 also marked their presumed final set of tour dates, as the guys announced around the same time that they would be calling it quits -- the apparent last Get Up Kids date was held at their hometown's Uptown Theater on July 2, 2005. The bandmembers continued on with various individual projects, including Pryor with the New Amsterdams and his kids' music project, the Terrible Twos; Dewees with Reggie and the Full Effect; Suptic with his own Blackpool Lights; and the Pope brothers with Koufax. However, the group reunited in 2009 to celebrate the tenth anniversary of Something to Write Home About with a deluxe reissue and a tour. Not wanting to waste an opportunity, they wrote an album's worth of new material that was released as a series of EPs during 2010. The first, Simple Science, arrived in April and promptly reached the Billboard charts, proving that the band still had a devoted audience. After the release of Simple Science, the band scrapped their three EP plan, instead combining the other songs with even more new material and releasing it as a full length album. The result was their fifth full-length, There Are Rules, which the band self-released through their own Quality Hill label. ~ Heather Phares

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Wednesday 16 September
Warehouse Live The Ballroom 08:00 PM All Ages $22.00 ADV
$25.00 DAY OF
$27.00 DAY OF BOX OFFICE
Godspeed You! Black Emperor, Xylouris White
Godspeed You! Black Emperor began with Efrim, Mauro and Moya in the early 90s, playing a handful of shows and recording a self-released cassette as a trio before deciding to transform the group into a large band. Recruiting numerous Montreal musicians through 1995-1996, GYBE mounted sense-rattling wall-of-sound performances, featuring as many as 14 musicians and several 16mm film projectors, before recording their debut vinyl-only Constellation album in 1997.

They transformed a warehouse space into the Hotel2Tango, a DIY hive of activity with band rehearsal rooms, silkscreen and wood shops, and weekend shows that took place under the radar. The group settled into a permanent nine-member line-up by late 1998, with Aidan and Bruce on drums, Thierry and Mauro on basses, Efrim, Dave and Roger on guitars, and Norsola and Sophie on cello and violin respectively.

The band toured and recorded incessantly from 1998-2002 and gained a reputation for mesmerising live shows marked by orchestral dynamics, epic rock power and clunky, beautiful film loops. After four records, GYBE announced an indefinite hiatus in 2003; which lasted until December 2010, when the band returned to curate and performs at All Tomorrow's Parties in the UK, followed by extensive international touring. October 2012 saw the release of ‘ALLELUJAH! DON'T BEND! ASCEND!, their first recorded work in a decade, to widespread critical acclaim.

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Thursday 17 September
Warehouse Live The Studio 08:00 PM All Ages $12.00 ADV
$15.00 DAY OF

Veridia "Only the Crazy Survive" Tour
VERIDIA - comprised of Deena Jakoub (vocals), Brandon Brown (guitar), Kyle Levy (drums) and Trevor Hinesley (guitar) – formed in Nashville in 2013. "VERIDIA means ‘of truth,'" explained lead singer Deena. "It's our creed, to strive for raw honesty in all that we do, being true to ourselves, the ones we love and in our music." Susan Riley, A&R, Word Entertainment added "VERIDIA is a band that is filled with conviction and passion to bring hope to the hopeless as quickly as possible. It's an honor to get to work with a band that cares for their fans and truly wants to serve those who are hurting in any way."

Inseparable track listing:
We Are The Brave
Disconnected
Furious Love
Mechanical Planet
Mystery Of The Invisible

For more information please visit, https://www.facebook.com/veridiamusic / Follow:@VERIDIA / http://instagram.com/veridia

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Friday 18 September
Rudyard's 08:00 PM All Ages $15.00
Chelsea Wolfe, Wovenhand
Sleep paralysis plagues singer/songwriter Chelsea Wolfe, and that strange intersection of the conscious and the unconscious has inadvertently manifested itself within her work. Across the span of her first four albums, there is an underlying tension, a distorted and nebulous territory where dark shadows hover along the edges of the sublime and the graceful. But until now, Wolfe's trials and tribulations with the boundaries between dreams and reality have only been a subconscious influence on her work. With her fifth album, Abyss, she deliberately confronts those boundaries and crafts a score to that realm she describes as the "hazy afterlife... an inverted thunderstorm... the dark backward... the abyss of time."

Chelsea Wolfe's material has always felt intensely private, from the almost voyeuristic bedroom-production aesthetic of her debut album The Grime and the Glow to the stark themes and atmospheres of 2013's Pain Is Beauty. "Abyss is meant to have the feeling of when you're dreaming, and you briefly wake up, but then fall back asleep into the same dream, diving quickly into your own subconscious," says Wolfe. To conjure this in-between world, Wolfe continued her ongoing collaboration with multi-instrumentalist and co-writer Ben Chisholm and drummer Dylan Fujioka, with Ezra Buchla brought on board to play viola and Mike Sullivan (Russian Circles) enlisted to contribute guitar. The ensemble traveled to Dallas, TX to record with producer John Congleton (Swans, St. Vincent). In the back of her mind burned the words of designer Yohji Yamamoto: "Perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion." The resulting eleven songs reflect that philosophy as they smolder with human frailty, intimacy, quiet passion, anxiety, and deep longing.

Abyss opens with the disorienting lurch of "Carrion Flowers", where Wolfe weaves a hypnotic vocal melody over monotonic industrial thuds, much as an Indian raga is constructed around a lone note or swara. On "Iron Moon", the band pushes for extremes in its loud-quiet-loud strategy, alternating between hushed balladry and gargantuan doom. On "Dragged Out", glacial-paced fuzz riffs underscore Wolfe's sultry verses, until a howling wail of distortion dominates the chorus. But there are certainly moments when the brutish elements are reigned in—"Maw" could serve as a lullaby and "Crazy Love" harkens back to the humble acoustic compositions of her Unknown Rooms album. But between them we have "After the Fall", the centerpiece of the album, where the abrupt tonal shifts, descending chord progressions, and climactic vocals illustrate Wolfe's fascination with Memories, Dreams, Reflections by Carl Jung. "
I let myself drop," begins one of Jung's recollections of his dreams. "I was so struck by that visual: the drop into the abyss of one's own mind, allowing yourself to feel things you've hidden away, bringing them front and center. That became the goal of this album," says Wolfe. That surrender can be heard in the slowly escalating cacophony of "Survive", the penultimate square-wave hum and yearning of "Color of Blood", and the clamorous piano loop and disorienting arrangement of the closing title track.

"Sleep and dream issues have followed me my whole life," remarks Wolfe as she revisits notes from the writing and recording sessions. In a way, these issues have become a part of Chelsea Wolfe's identity, for whom the notion of sleep as an escape has been subverted. Abyss captures this dichotomy, this battle between the soothing and the upsetting, and demonstrates why Chelsea Wolfe has become one of the most intriguing songwriters of the decade.
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Brian Cook, 2015

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Saturday 19 September
Walter's Downtown 08:00 PM All Ages $13.00 ADV
$15.00 DAY OF

Titus Andronicus, Spider Bags, Baked
In July of 2005, the rock band Titus Andronicus made their first live appearance, performing for a few friends in an unfinished basement. The ensuing decade would see nearly 800 shows, 18 members, and the release of three full-length albums and 14 7-inches, as the group rose from their obscure beginnings in the tri-state DIY scene to the heights of international "indie stardom," only to (nearly?) throw it all away in a vicious cycle of depression and decadence. The culmination of that ten-year journey is The Most Lamentable Tragedy.

The Most Lamentable Tragedy [hereafter TMLT] is the fourth studio album by Titus Andronicus [hereafter +@] and the band's debut for Merge Records. A rock opera in five acts, it will see release on the 28th of July 2015 as a digital download, double CD, and triple vinyl LP. "[In July 2005] I turned 20 years old—I started the band and closed the door on my teenage years," says singer/songwriter Patrick Stickles, "and on July 28th this year, I'm turning 30. Putting out this record is my way of closing the door on my twenties—sharing what I have learned, sorrowing what I learned too late."

"It should always be the dearest hope of the Artist that the Art they create could have been created by no one else," Stickles says suddenly, unprompted, "and that if it cannot be adored, it should be despised. Cast wide the poles! +@ is undaunted and TMLT will not be quietly abided."

Nor can it be denied—TMLT is the pinnacle and the missing piece, both the crown jewel of the band's discography and the legend that contextualizes their entire body of work. It reveals that +@ are what hardcore fans have said they are for years, and what the world must now recognize them to be: not merely the greatest rock and roll band of this era, but one of the greatest rock and roll bands of all time.

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Sunday 20 September
Warehouse Live The Studio 06:00 PM All Ages $15.00 ADV
$17.00 DAY OF

Lydia, Seahaven, Turnover, The Technicolors
Lydia is an indie rock band from Gilbert, Arizona formed in 2003 by front man Leighton Antelman. After a brief hiatus in 2010, the band returned in September 2011 with a new song, "Dragging Your Feet in the Mud" and Paint It Golden was released shortly after in October of 2011. The band has recently released their first single "Knee Deep" from the new record, Devil, produced by Colby Wedgeworth. Leighton Antelman and the new full band line-up's new release will be their fifth.

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Monday 21 September
Rudyard's 08:00 PM All Ages $10.00
Avan Lava, Johnny Stimson
AVAN LAVA have staked their claim as one of New York's most vibrant pop acts—a kind of natural bridge between late night club culture and kaleidoscopic pop theatricality. In doing so, the trio of Ian Pai (producer/drummer), Le Chev (producer/keyboard/guitar) and TC Milan (vocals) have earned a fervent fanbase and managed to bring their raucous live show to points all over the globe. Since forming, the band have released three EPs to increasing acclaim. The group's latest EP —Flex Fantasy —proved to be a commercial breakthrough, fine-tuning the trio's penchant for marrying soulful vocals and sanguine beats. The release led the production of multiple videos as well as a long-standing collaboration with famed fashion photographers Inez & Vinoodh. The trio also contributed music to fashion campaigns for the likes of Dior, Viktor & Rolf, Calvin Klein, and Miu Miu. The band's current EP—2015's Make It Real—(out 3/31/15 via Atlas Chair) is comprised of six tracks (including the powerhouse singles "Leave It All Behind" and "Wanna Live") that serve as a kind of euphoric pop blueprint for their increasingly dynamic live show: an communal party experience characterized by nonstop dancing, the occasional blast of confetti, and a profound sense of joy. This year will find AVAN LAVA embarking on a North American tour, SXSW Festival and much more.

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Friday 25 September
Warehouse Live The Studio 08:00 PM All Ages $12.00 ADV
$14.00 DAY OF
$16.00 DAY OF BOX OFFICE
Vacationer, Great Good Fine Ok
Vacationer's Relief, the Philadelphia group's second LP, is clear in both title and intention. If Gone, the sunny electronic-pop act's 2012 debut, was about escape – whether through travel, photography or toasted sonic bliss – Relief unspools the strings of our wound-up existence with a cinematic wallop of positivity-oozing pop.

A collaboration between Kenny Vasoli and Body Language's Matthew Young and Grant Wheeler, Vacationer returns tighter and more powerful after spending the last two years touring with groups like Asteroids Galaxy Tour, Bombay Bicycle Club, The Naked And Famous, Tennis, and Niki And The Dove, as well as making numerous festival appearances.

"Playing so many shows is probably our biggest influence on this album," says Vasoli. "Being out there every night with our wonderful fans and on the road everyday with Matt making beats next to me led to a deeper, more immediate energy in our music."

Relief, which was primarily recorded at Body Language's Landau Audio Design (LAD) studio in Brooklyn over the last year, is Vacationer gone widescreen. The kaleidoscopic, sampledelic world that intoxicated fans on original singles like "Trip" is still there, but the orchestration has become more muscular and expansive. Lead single "The Wild Life" mixes the influence of The Beach Boys, J. Dilla and LCD Soundsystem into a sonic mai tai. Animal Collective meets Hollywood's golden age on "Heavenly," while "Paradise Waiting" catapults the soulful chop of De La Soul into a club-ready summer anthem.

"Whether through love, exploration or relaxing, we all strive for relief," says Vasoli. "It's just a quick flip-of-the-switch away, and think it's good to be reminded of that."

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Friday 25 September
Walter's Downtown 08:00 PM All Ages $15.00 ADV
$18.00 DAY OF
$20.00 DAY OF BOX OFFICE
The Revivalists, Whiskey Shivers
It's actually surprising that when The Revivalists take the stage, the entire planet doesn't hear them playing--yes, their sound is that big. It's not just because this band - who have performed everywhere across the country - has seven members and perform with a wide breadth on instruments. It is because there is so much passion spewing out of these guys that it's completely impossible to ignore them.

After seven years of making music together, New Orleans rock hybrid The Revivalists (David Shaw - vocals, Zack Feinberg - guitar, Andrew Campanelli - drums, Ed Williams - pedal steel guitar, George Gekas - bass, Rob Ingraham - saxophone, and Michael Girardot - keyboards & trumpet) are set to deliver their latest studio album, Men Amongst Mountains. The forthcoming release, out on July 17, is an album about growth. It is appropriate, then, that the band set out to challenge itself while writing and recording their latest batch of music.

The Revivalists cloistered themselves within the intimate confines of Bogalusa, LA's Studio in the Country for nearly two weeks while recording Men Amongst Mountains, taking advantage of the studio's generous acoustics by setting up in a single room and recording to tape in an effort to induce a more performance-based sensibility. New Orleans' Esplanade and Living Room Studios hosted the finishing touches to an album which leans first and foremost on capturing authentic moments in warm, rich tones and with a distinctly raw, old-world feel.

Mirroring the broader themes which connect the individual songs on the album, the recording and instrumentation on Men Amongst Mountains represents the next step in The Revivalists' ever-evolving depth and maturity. Like the band's vaunted live shows, Men Amongst Mountains can and will turn on a dime. The gentle gives way to the heavy, the acoustic to the orchestral. Despair becomes hope. Fire becomes light. At times, the obstacles and troubles in our lives can make the world seem impossibly, hopelessly big. Men Amongst Mountains, ultimately, is about the journey that makes us greater than the mountains standing in our way.
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